{"id":588,"date":"2017-02-12T18:56:26","date_gmt":"2017-02-12T20:56:26","guid":{"rendered":"http:\/\/www.odiloncavalcanti.art.br\/?page_id=588"},"modified":"2025-07-11T15:21:22","modified_gmt":"2025-07-11T18:21:22","slug":"construcoes-sexta-individual","status":"publish","type":"page","link":"https:\/\/odiloncavalcanti.art.br\/de\/construcoes-sexta-individual\/","title":{"rendered":"Constru\u00e7\u00f5es: reconstruindo a sexta individual."},"content":{"rendered":"
\"\"
“Domingo \u00e9 futebol”<\/strong>
Pastel s\/ tela
80x80cm
1987<\/strong><\/figcaption><\/figure>\n
\"\"
“C\u00edrculo interior”<\/strong>
Acr\u00edlica e pastel s\/ tela
50×70 cm
1989<\/strong><\/figcaption><\/figure>\n
\"\"
“Espelho fragmento VIII”<\/strong>
Aquarela s\/ papel
52×32 cm
1988<\/strong><\/figcaption><\/figure>\n
\"\"
“Espelho fragmento VI”<\/strong>
Pastel s\/ tela
100x100cm
1985<\/strong><\/figcaption><\/figure>\n
\"\"
“Pincel inscrito”<\/strong>
Pastel e acr\u00edlica s\/tela
50x70cm
1988<\/strong><\/figcaption><\/figure>\n

 <\/p>\n

\"\"
“Harmonia forma e cor:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 As asas”<\/strong>
Paste s\/ tela
70x120xm
1985<\/strong><\/figcaption><\/figure>\n
\"\"
“Espelho Fragmento III”<\/strong>
Pastel s\/tela montada
100x100cm
1985<\/strong><\/figcaption><\/figure>\n

 <\/p>\n

\"Capa
“Espelho Fragmento IV”<\/strong>
Pastel sobre tela
100X100cm
1987<\/strong><\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\"\"
“Fragmentos e Integridade”<\/strong>
Pastel s\/ tela
140x80cm
1986<\/strong><\/figcaption><\/figure>\n

Constru\u00e7\u00f5es.<\/strong><\/p>\n

No tempo relativamente curto que conhe\u00e7o o trabalho de Odilon Cavalcanti<\/strong>, tenho presenciado algo que \u00e9 uma das recompensas, e n\u00e3o s\u00e3o muitas, do cr\u00edtico de arte: a evolu\u00e7\u00e3o, para frente e para cima, de um aut\u00eantico talento.<\/p>\n

Usando de prefer\u00eancia, uma t\u00e9cnica que t\u00e3o facilmente se presta ao am\u00e1vel, ao “bonitinho” da arte, Odilon Cavalcanti<\/strong> soube evitar todas as armadilhas do f\u00e1cil e do bonito, para produzir obras que, sem fugir da beleza, apresentam forte rigor formal. J\u00e1 o t\u00edtulo da exposi\u00e7\u00e3o o diz: “Constru\u00e7\u00f5es”. Odilon Cavalcanti<\/strong> est\u00e1 ampliando sua t\u00e9cnica: muitos trabalhos dos aqui expostos s\u00e3o past\u00e9is sobre tela, outros sobre papel – que \u00e9 t\u00e9cnica costumeira – e h\u00e1 tamb\u00e9m uma aquarela. Tenho a impress\u00e3o, talvez err\u00f4nea que Odilon Cavalcanti<\/strong> esteja a caminho do \u00f3leo, sem pressa, com a coer\u00eancia que sempre marca a sua obra. Nesta exposi\u00e7\u00e3o da Galeria do IBEU, Odilon Cavalcanti<\/strong> consegue unir rigor formal \u00e0 sensualidade de seu material, sempre na medida certa, sem favorecer um dos lados. No seu ref\u00fagio da Ilha de Itamarac\u00e1, longe das solicita\u00e7\u00f5es e polui\u00e7\u00f5es da grande cidade, Odilon Cavalcanti<\/strong> est\u00e1 trabalhando e crescendo. Para assumir – mais tempo, menos tempo – seu lugar na arte contempor\u00e2nea brasileira.<\/p>\n

Um lugar que ser\u00e1 importante.<\/p>\n

Marc Bercowitz<\/strong>
\nRio de Janeiro, novembro de 1987<\/strong>.<\/p>\n

 <\/p><\/blockquote>\n

 <\/p>\n

VOLTA<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

        Constru\u00e7\u00f5es. No tempo relativamente curto que conhe\u00e7o o trabalho de Odilon Cavalcanti, tenho presenciado algo que \u00e9 uma das recompensas, e n\u00e3o s\u00e3o muitas, do cr\u00edtico de arte: a evolu\u00e7\u00e3o, para frente e para cima, de um aut\u00eantico talento. Usando de prefer\u00eancia, uma t\u00e9cnica que t\u00e3o facilmente se presta ao am\u00e1vel, … <\/p>\n

Continue reading “Constru\u00e7\u00f5es: reconstruindo a sexta individual.”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":223,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-588","page","type-page","status-publish","has-post-thumbnail","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.1","language":"de","enabled_languages":["en","es","de","fr","ru"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"es":{"title":false,"content":false,"excerpt":false},"de":{"title":false,"content":false,"excerpt":false},"fr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nConstru\u00e7\u00f5es: reconstruindo a sexta individual. - Odilon Cavalcanti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/odiloncavalcanti.art.br\/construcoes-sexta-individual\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Constru\u00e7\u00f5es: reconstruindo a sexta individual. - 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